[HAM] Miking the drums to get a big fat and ambient sound.Was:"Save Ours Seas" New song by Dan BonowJohn Freund organguy at nj.rr.comWed Apr 30 22:30:56 CDT 2008
> Led Zeppelin's recording engineers were really able to capture a nice > beefy and resonant bass drum sound that seems to be missing on so many > other recordings which seem to have a non existent bass drum or the bass > drum sounds either like cardboard or like a basketball being bounced. Kon, I share your enthusiasm for John Bonham's Levee/Kashmir drum sound but it doesn't work in all instances and even Zeppelin didn't use that sound all the time. Those tunes are epics and the drum sound was the starting point. The drums on Zep IV are close miked (comparatively). > Close miking each part of the drum kit is common but this often results > in a boring and sterile or unnatural sound especially when the low end > is rolled off. You can't really make that generalization can you? The way you really want to record drums is with close and ambient mikes. Using only ambient mikes severely limits your choices in mixing other instruments around the drums and as you point out, only close mics is dead. Remember the 70's LA sound? > Does anyone know exactly how to mike up a drum kit to get that nice > big fat John Bonham sound Frankly you need John Bonham. I'm not trying to be glib or snide or nasty or anything like that. So much of why drummers ESPECIALLY sound like themselves is the drummer, not the kit setup or miking. Carmine Appice, who tends to take credit for John Bonham in general, had a rare moment of benevolence when he said he had Bonham over his house and John wanted to jam. So Appice says the only extra kit he had was this crappy little kit with a 20inch bass drum. John says, "Fine, I'll play that". Bonham jumped behind it and ta-da, Appice said it sounded like Johns drums. Yers, John
More information about the hammond mailing list |